This week’s Friendly Friday challenge theme is ‘Shadows.’ See more responses here.
I almost never take selfies. I know what I look like, and why ruin a perfectly good photo by shoving my face in the foreground. Here, though, I made an exception. And yes, my legs are that long.
Also posted in response to Becky’s July Squares challenge theme of ‘Perspective.’ See more responses here.
Three of these signs appeared at Upolu Airport recently. I think we can all agree that in these troubling times it’s important for people to stay safe by following such protocols.
The plane in the photo is owned by the skydiving company that used to fly out of the airport back in pre-pandemic days. It’s fairly safe to say that they’ll be one of the last businesses allowed to reopen. It’s hard to maintain social distancing on a plane that size, especially when most clients are going to be strapped to someone who knows how to operate a parachute.
In the meantime, in the last four months, the number of times I’ve seen more than one person inside the fence is exactly equal to the number of times I’ve seen that one person wearing a mask. I won’t say how many times that is, but it’s a very round number.
Posted in response to Becky’s July Squares challenge theme of ‘Perspective.’ See more responses here.
Photographers are encouraged to take advantage of the golden hour shortly after sunrise or shortly before sunset, when the light is soft and golden. Photos taken here during the golden hour showcase the wonders of Hawaii’s beaches, volcanoes, and wildlife.
Taking that as my cue, I feature one of the wonders of Hawaii in these photos. No, it’s not concrete lamp bases, which can be found in most, if not all, states. Nor is it the golden hour. But only in Hawaii can you find a concrete lamp base like this one. It’s a sunny day. Those rectangular shadows are from the lights at the top of the lamp pole. But where’s the shadow of the concrete base? There isn’t one, because these photos were taken at Lāhainā Noon.
Lāhainā Noon, a name thought up by the good folks at the Bishop Museum, occurs when the sun is directly overhead on its apparent passage north and then south again, before and after the summer solstice. This phenomenon occurs in places located between the Tropic of Cancer and Tropic of Capricorn. Hawaii is the only U.S. state in tropics and so is the only place in the country to see this.
The timing of Lāhainā Noon varies from place to place, depending on latitude. It occurs twice a year, the first time in May as the sun appears to head north, and then again in July as it dips south again. These photos were taken yesterday in Kawaihae, but where I live in Hawi, Lāhainā Noon occurred two days ago. The last place on the island to experience it will be South Point, the most southerly point in the U.S.A, on July 27.
The bottom photo shows the Sky Gate sculpture in Honolulu. This sculpture, designed by Isamu Noguchi, casts a wavy shadow most of the time, but twice a year, at Lāhainā Noon, the shadow is perfectly round. The sculpture wasn’t particularly well-received initially, but now people visit from all over the world (when that’s possible) to see it do its thing.
For more information about Lāhainā Noon go here.
Posted in response to Becky’s July Squares challenge theme of ‘Perspective.’ See more responses here.
Wild turkeys abound alongside the Old Saddle Road. This one was wandering through a green pasture bordered by an old fence.
Posted in response to Becky’s July Squares challenge theme of ‘Perspective.’ See more responses here.
When I saw this bee I thought, I know that plant, but what’s the name of it? Well, it’s ribwort plantain, but my knowledge of it stems from many years ago when, as kids, we used to pick them, loop the stem around just below the head of the plant, and then jerk that loop forward to send the head of the plant zinging in the direction of the intended victim. It was amazing how far those heads would travel.
This bee is using the plant for more beneficial purposes.
Posted in response to Becky’s July Squares challenge theme of ‘Perspective.’ See more responses here.
In this case, what’s looking up is a giant porcupinefish and it’s looking at me looking down. It looks friendly, but I would never wave a finger in its direction in case it thought it was a gift and kept it.
Posted in response to Becky’s July Squares challenge theme of ‘Perspective.’ See more responses here.
This week’s Sunday Stills challenge theme is ‘Wild and Weird.’ See more responses here.
No matter how you look at them, there’s something wild and weird about praying mantises. They look like Popeye with that spindly body and bulging forearms (no pipe though). Parts of them look like they came off the production line with some assembly still required. They remain motionless for long periods, watching, waiting. When they do move, it’s with a constant back and forth motion to sneak up on prey. Then they strike like a cobra and make short work of their victims.
And yet I find that despite all this weirdness, there’s something endearing about them. They put up with intrusive photographers and they keep still for them. What’s not to like.
Also posted in response to Becky’s July Squares challenge theme of ‘Perspective.’ See more responses here.
This week’s Friendly Friday challenge theme is ‘Capturing a Feeling.’ See more responses here.
A fair number of my photos of perched pueos (Hawaiian short-eared owls) show the birds giving me a scowling look of disapproval. This one has a bit of that, but there’s also a look of astonishment. If I had to give this bird a speech bubble, it would be something along the lines of, ‘He took my picture. He didn’t even ask. The nerve.’
I like this photo for two additional reasons. One is that single, visible curved talon resting on the post. Easy to imagine the effect of that on some unfortunate rodent. The second reason is the eyes. Notice anything about them?
Also posted in response to Becky’s July Squares challenge theme of ‘Perspective.’ See more responses here.
Graham's Island 